Rating: ![]()
"It's above average, but not quite "Darn good.""
US Release:
Bandai
Genre: Drama
(Fantasy)
Suggested Age/Content Guide:
13-up / V3 N1 M0 L1
Series Type: Theatrical Movie
Length:
95 minutes
Production Date:
Unknown
Categories:
Look for:
Sequels/Spin-offs:
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Original Title: エスカフローネ
Romanized: Escaflowne
Literal:
Kanzaki Hitomi's world is turned upside down when she is plucked from it and placed in a new one. The new world, a rather archaic-looking place called Gaea where the Earth hangs in the sky, is inhabited by many different people. It is also currently at war. An aspiring empire called Zaibach is using brute force to try and take over smaller countries. One country, called Fanelia, is lead by a rash young man by the name of Van Fanel. Hitomi is forced to join the battleship Crusader in order to destroy Zaibach and prefent them from harming any more innocent people. Meanwhile, everyone seems convinced that Hitomi is the "Wing Goddess," as she fell out of the legendary Guymelef, Escaflowne. Will Hitomi find a way back to her world? Or will she be stuck in the world of mistaken idendities and war for the rest of her life?
Rating: 3.5 / 5
Reviewer: KaptainSarcasm
Review Date: 2003-06-20
For anyone who's seen the Escaflowne series and movie, I think anyone would agree that the series is far better than the movie. If you plan on getting either one of these, get the series. But the movie is good, too, just not in comparison to the series.
The art, for one, is not so great. It is very dusty-looking, much like an old mecha anime series. The charecters have a very crude look to them, and they aren't as brightly-colored as one would expect from a fanstasy anime. The colors are based on an earth tone, and any bright colors are startling and unwelcome. However, though the drawing isn't the best, the animation itself is quite good.
The reason that this movie did not turn out too well is most likely due to the fact that the creators were trying to jam 26 episodes worth of plot plus a bit about a "Wing Goddess" into an 80-minute session. The easiest way to force in more plot is to, of course, force out more charecters.
I thought that one of the greastest aspects of Vision of Escaflowne, the series, was the charecters and the intricate connections between them. In the beginning, the series spent a decent about of time developing the growing friendship between Van and Hitomi. Also, Hitomi's fascination with Allen Schezar caused somewhat of a tense, three-way-love-triangle that added to the girly, fanciful feeling of the anime. Hitomi was portrayed as a girl that cared deeply for Gaea, even if she had just been dropped in there out of the blue. Van was a caring fellow with an agenda, but not an agenda that he couldn't put aside for the sake of a good conversation with his friends. Allen was responcible but at the same time had mixed feelings about his willingness to devote himself entirely to one cause. Dispite his involvement with many women, he was a "playa" as many might say, he was always curtious with them, never showing them any disrespect.
But, alas, all good developments must fall at the hands of one who is unwilling to put time into creating a concrete charecter. The Hitomi in the movie never had time to care very deeply about either Gaea or Van, or even Allen Schezar. She was more portrayed as a regular teenage girl who is feeling rather uncomfortable and out of place in a world where nothing really matches up with her set sence of logic. This made her seem almost selfish in a way. Van was far different in the movie, perhaps the biggest change of any of the charecters. The opening scene in the movie is him mercilessly slaying many gaurds on a Zaibach ship. He is quiet and strong, and less willing to open up to Hitomi, even when she is suspected of being the Wing Goddess. Allen is, how can I put this... Well, he's RUDE. He never shows any particular respect towards anyone. He is more of a lost soul, less sure of his footing.
Along with the changes in charecter, there is a difference in the technicalities, too. Escaflowne itself is different. While the Guymelef in the series is always in a physical form somewhere, the Escaflowne in the movie dissapears and then reappears when summoned. Also, while it took Van some time to "become" Escaflowne in the series, the movie Guymelef immediately requires Van's blood to move around and fight.
Thankfully, one great thing did not change: the voice acting. Now, when it comes to anime, the best part about it, too me, is listening to the voice actors. The best voice acting job I have ever heard is in Escaflowne, movie and series. The woman who does Dilandau, Minami Takayama, is bloody brilliant. No one can laugh evilly and shout "BURN, BURN!!!" quite as well as she can. Overall, all the voice actors pulled thier weight and then some. They adapted well to the change in charecter, even after being so used to the way that they played them before. They alone make the movie worth watching, if not for just the mere merit of the movie.
I hardly think it necessary to go into an in-depth review of the music of the movie. It's composed by Yoko Kanno. I see no problem here.
To sum it all up, the movie was mediocre. It's best to be taken like microwave mashed potatoes: If you think of them as mashed potatoes, they are gross. But if you think of them as a food on thier own, they're delicious. The movie was bad when thought of as Escaflowne, merely because the series was so good. But when you just watch the movie on its own and try not to think of it as Escaflowne, it's definitely worth watching.
Reliable subtitiling, something you risk not getting if you buy fansubs!
Rated 13-up by Bandai; just a precaution, really.
Violence: 3 - Much more violent than the series; whenever Escaflowne moves, blood spurts from Van.
Nudity: 1 - Just the usual skantily-clad women.
Sex/Mature Themes: 0 - Cutesy fluff.
Language: 1 - Very mild.
Don't buy it pirated. If everyone buys too much pirated anime, the companies will stop putting out DVDs altogether. We really don't want that.
Hitomi: Maaya Sakamoto
Van: Tomokazu Seki
Folken (Dune): Joji Nakata
Yukari/Sora: Mayumi Iizuka
Dilandau: Minami Takayama
Jajuka: Koji Tsujitani
Allen: Shin'ichiro Miki
Merle: Ikue Otani
Mole Man: Chafurin
Millerna: Aki Takeda
Gaddes: Toru Okawa
Reeden: Yuji Ueda
Kio/Ruhm: Ginzo Matsuo
Ort: Masayuki Hiyama
Teo: Akihiko Nakajima
Pyle: Takehiro Murasono
Shesta: Shohei Yamaguchi
Ryuan: Takehiro Kawano
Nukushi: Takashi Matsuyama
Young Van: Yoshiko Kamei
Young Hitomi: Kurumi Mamiya
Strategist: Hiroki Takahashi
Surveillance Chief: Toshihide Tsuchiya
Helmsman: Kou Yamagishi
Katz: Masahiro Ogata
Soldier 1: Kenji Numura
Solider 2: Masashi Kimura
Child 1: Jun Tanaka
Child 2: Sayuri Otsuka
Old Woman 1: Eiji Maruyama
Old Woman 2: Naoko Kyoda
Dryden: Jurota Kosugi
General: Katsumi Cho
King: Satoaki Kuroda
Crowd: Ezaki Production
Hitomi: Kelly Sheridan
Van: Kirby Morrow
Folken: Paul Dobson
Dilandau: Andrew Francis
Allen: Brian Drummond
Millerna: Venus Terzo
Merle: Joceln Loewen
Sola: Sylvia Zaradic
Jajuka: Scott McNeil
Gaddess: Ward Pery
Yukari: Willow Johnson
Mole Man: Terry Klassen
Dryden: Michael Dobson
Shesta: Trevor Devall
Nukushi: Brian Dobson
Created by: Hajime Yadate (Yatate?), Shoji Kawamori
Director: Kazuki Akane (Sekine?)
Screenplay: Ryota Yamaguchi, Kazuki Sekine(Akane?)
Script Consultant: Aya Yoshinaga
Co-Director: Yoshhiyuki Takei
Assistant Unit Director: Hirokazu Yamada
Character Designer: Nobuteru Yuki
Animation Director: Nobuteru Yuki
Mechanical Designs: Kimitoshi Yamane
Armor Design Consultant: Yutaka Izubuchi
Art Director: Junichi Higashi
Director of Photography: Kazunori Okeda
Producers: Masuo Ueda, Minoru Takanashi, Masahiko Minami, Toyoyuki Yokohama
Music: Yoko Kanno, Hajime Mizoguchi
Production: Sunrise
Produced by Sunrise, Bandai Visual
Dubbing: The Ocean Group
Theme Song: "Yubiwa" ("Ring")
Lyrics: Yuho Iwasato
Composer/Arrangement: Yoko Kanno
Performance: Maaya Sakamoto
Insert Song: "SORA"
Lyrics: Gabriela Robin
Composer/Arrangement: Yoko Kanno
Performance: Shanti Snider
Insert Song: "SORA -- at the bar"
Lyrics: Gabriela Robin
Composer/Arrangement: Yoko Kanno
Performance: Midori
Available on hybrid DVD from Bandai, as well as a DVD special edition that includes the soundtrack and an additional DVD of bonus materials.
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